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My four works were presented in a dark dungeon-like space suited to screen. Normally when one. In this case, I performed this process. Whoever appeared was blocked immediately. The blurb for this work, written by myself. Figure 2: Figure 3: The artist swipes unceremoniously. Each subject becomes a discarded body preceding an. Penney and Pettifer , It turns a private. W e must ask ourselves whether we. The faces or affect-images of each discarded user are equally unimportant.

W e do not read them individually when they are subject to the phone-as-face; they. All stats and individual characteristics are rendered meaningless when subject. The video. The viewer is presented with a body loosely hanging within a faux Grindr frame.

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When the user touches. At the same time they drag the body ,. It is very important that this work be on iPad and that users. The notion of affection or affect-image as it applies to this work is problematised. Dragging the loose, saggy body around via its glitched-up face is satisfying. The viewer gets a strong sense of their own sadistic manipulation of the body as they. Figure 4: This distortion also extends to the manipulation of the body and.

The body is the most expressive component here, it distorts and twists when it. The penis and face, both affective. The unnatural smudging. The intention is to invoke a self-awareness of a kind. The whole work becomes a slapstick irreverent downplaying of these elements: I had always wanted to make a work about Tinder because its method of.

In this scenario, I have played. Here, no matter which. Media International Australia. In this work, there are only four bodies that rotate through, although each time. These are white, generic bodies,. After a user has. They loll about,.

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This artwork is clearly an expression of complete. Figure 5: The concerns discussed in this article, notably regarding the relationship between bodies,. My work. This enables viewers to translate the parody back to their own use of dating apps, and. In future work, however ,. This and all of the other works can be seen at http: Baudrillard, J. Schutze, Semiotext[e], New Y ork. Deleuze, G. The Movement Image , Bloomsbury, London. Fisher, M. Transmat, www. Hall, M.

Lacan, J. Leitch et al.

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Norton, New York. Light, B. Penney, T. Peretti, J. Contemporary V isual Culture and the. Race, K. Saville, J. Victor , B. His art practice and. Citations 4. References There is even less research about how experiences using dating apps subsequently affect the health and wellness of LGBT populations.

One study analyzing the relationship between gay dating apps and self-image suggested that apps such as Grindr enable people to be constantly compared to others through pictures and personal information that are featured on the app Penney, While this may be helpful for partner seeking, it can allow many individuals to feel a sense of discouragement about their physical appearance and likelihood of finding a suitable partner. This can affect an individual's mental health, as they feel they are not living up to certain expectations set by the apps or by other individuals on the apps Penney, An exploration of the risks associated with dating app use among rural sexual minority males.

Many participants reported negative experiences while using dating sites or apps. The results indicate that the use of dating apps could pose mental health risks due to such negative and traumatic experiences. Future research should explore the health and mental health impacts of dating app use in order to improve care and services for the sexual minority male population. Cooley's classic theory of the 'looking-glass self' suggests that an individual's self-concept is based on their understanding of how others perceive them as cited in Crossley Through Instagram follows, Facebook likes, and Tinder right swipes participants internalized the 'the looking glass self' Penney as a reliable means of evaluating their attractiveness.

Social media therefore not only amplifies young men's focus on the visual self but also the extent to which they critically analyze their clothing and bodies.