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They had to create a new branch of their company to give birth to this film. This movie should not exist. We use cookies to personalise content, target and report on ads, to provide social media features and to analyse our traffic.
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Only letters, numbers, periods and hyphens are allowed in screen names. Please enter your email address so we can send you a link to reset your password. Your Comments. Sign In Sign Out. I feel like Tarell was always proud to be who he was, and was likely ostracised for it. I was more a follower than a leader, you know, when I was that age. Two years ago, the director told the Guardian: There was usually food, but sometimes not.
How did his childhood shape him? It was only in the making of this film [Moonlight], and to be honest, watching the actors relive some of the things we lived through. Which films inspired him, growing up? And those colleges had all this shit going on? This is so energising! I would catch the bus to go to the AMC theatre downtown. Winning an Academy Award for best picture must have felt even more farfetched. He grins when I bring up one of the most rollercoaster nights in Oscar history. The only thing shocking about the whole night to me was the switch, you know?
It was a very wild night. Very wild.
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Given the OscarsSoWhite furore of the previous year when there was not a single actor or director of colour among 25 nominees , there must have been air punches around the globe when Moonlight belatedly scooped the prize. And I can see that the generation behind us, they see that, and they feed off it. Ava did Selma and then created this television show [Queen Sugar], and said every episode was going to be directed by a woman, most of them women of colour.
When you climb the ladder, you send it back down. He points to technology as another democratising force. I tell Jenkins I look forward to the day when the list of British black film-makers who have been entrusted to make hits is as long as the American one.
Barry Jenkins on Moonlight, the Oscars and Trump’s America | Financial Times
But the director says he has always admired the European system of financing films. The success of the film highlights what a difference a year makes, even though the movie went into production long before the OscarsSoWhite movement. Jenkins focuses on the journey of a young black boy, Little, growing up in a housing project in Miami.
Little contends daily with bullies, a heroin-addict mother Naomie Harris , and his growing awareness that he is gay. Jenkins, a man who exudes friendliness and style, knows that the issues his film tackles are ones that his audience will have rarely seen before on the big screen.
barry jenkins on 'moonlight,' black identity, and homosexuality
It began three years ago, talking with two guys from the Borscht Film Collective, an outfit that looks to filmmakers to tell stories about all shades of life in Miami. There are things about both mine and Tarell's biography that are very distinct about how we grew up. They came to me, and the line was, 'this isn't about you, but it's about you.
Jenkins doesn't want audiences to think that he is trying to define black male identity. His focus was on providing a realistic representation of a life, at least in part, that he knew well. His aim was to offer up a representation of the black community that doesn't have to rely on stereotypes.
For Jenkins, it is about showing audiences a slice of life that, odds would suggest, they haven't seen before.